When you don't have them they hate you because you won't; and when you do have them they hate you again, for some other reason. She felt a triumph, almost a vainglory. She felt, now, she had come to the real bed-rock of her nature, and was essentially shameless.
And then accept the times when the gap is filled in, when they come. “A woman has to live her life, or live to repent not having lived it.”, “We've got to live, no matter how many skies have fallen.”, “Perhaps only people who are capable of real togetherness have that look of being alone in the universe. Or for no reason at all, except that they are discontented children, and can't be satisfied whatever they get, let a woman do what she may.”, “There's lots of good fish in the sea...maybe...but the vast masses seem to be mackerel or herring, and if you're not mackerel or herring yourself, you are likely to find very few good fish in the sea.”, “A little morphine in all the air. "Lady Chatterley’s Lover Quotes and Analysis". Lady Chatterley's Lover | Quotes. This was different, different. The narrator opens the novel by expressing how the war has created "a tragic age," but concludes the first paragraph with a sense of optimism. She lay unconscious of the wild little cries she uttered at the last. Buy Study Guide. I, “The world is a raving idiot, and no man can kill it: though I’ll do my best.
he knew it, and all the time tried to kid himself it wasn't so. The world allows no hermits.”, “Sex and a cocktail: they both lasted about as long, had the same effect, and amounted to about the same thing.”, “Above all, for his merciless, contemptuous treatment of Clifford Chatterley, blown to bits in Flanders in 1918, Lawrence can be damned to hell. She felt a triumph, almost a vainglory. The others have a certain stickiness, they stick to the mass.”, “It's no good trying to get rid of your own aloneness. He wants to present the hope for a different world, founded on human relations and real human need rather than a rationalized "logic. Just a moment while we sign you in to your Goodreads account. This is important because it shows Lawrence has a sociohistorical perspective of his world. Perhaps he had a certain hankering after lowness. But you have to wait for the times. Ng, Mae.
Shame is a cultural construct for Lawrence. “It's no good trying to get rid of your own aloneness. We must plant ourselves again in the universe.”, “The world is supposed to be full of possibilities, but they narrow down to pretty few in most personal experience. If he would have admitted it, and prepared himself for it; or if he would have admitted it, and actively struggled with his wife against it: that would have been acting like a man. She liked the, “And how they take one in, with their manners and their mock wistfulness and gentleness.”.
Then as he began to move, in the sudden helpless orgasm, there awoke in her new strange thrills rippling inside her. Constance's connection to nature is a symbol of her connection to herself. she said.”, “She herself had never been able to be altogether herself: it had been denied her.”, “How ravished one could be without ever being touched. Lawrence is proposing a version of health in which sexual and sensual expression is fundamental for a person. What hope was there? But you have to wait for the times. The social construct of shame impedes the ability of people to feel sensuously; ultimately, Constance realizes she prefers sensuality to shame.
D.H. Lawrence is considered to be a modernist. A strange weight was on her limbs. This tourist performance of enjoying oneself is too hopelessly humiliating: it's such a failure.”, “Far be it from me to suggest that all women should go running after gamekeepers for lovers.”, “Connie walked dimly on. A few first bleached little primroses too, by the path, and yellow buds unfolding themselves.”, “She rose slowly. Sufficient unto the moment is the appearance of reality. Tommy believes that sex is something that actually shows a person's emotional liveliness and their "heart."
When what one supremely wanted was this piercing, consuming, rather awful sensuality.”, “A man could no longer be private and withdrawn. “A woman has to live her life, or live to repent not having lived it.”. It only came to be considered a "higher" art form in the early 20th century, whereas previously it had bordered on being mere entertainment literature.
But it was all like a dream: or rather, it was like the simulacrum of reality.
She could no longer harden and grip for her own satisfaction upon him. There's lots of good fish in the sea... maybe... but the vast masses seem to be mackerel or herring, and if you're not mackerel or herring yourself, you are likely to find very few good fish in the sea.”, “Sex and a cocktail: they both lasted about as long, had the same effect, and amounted to the same thing.”, “It's terrible, once you've got a man into your blood!" Lady Chatterley's Lover essays are academic essays for citation. The above quotation shows Lawrence's aesthetic approach that recognizes his particular "age" as such a transitional period.
If only I had!
Any man in his senses must have known his wife was in love with somebody else, and was going to leave him. This aesthetic movement is characterized by a recognition of the early 20th century as a transitional time, the preparation for a radically different future. Even though Constance is supposed to be in love with Mellors at this point in the novel, she is not beyond a sensitivity to social norms. This is significant because it shows how Lawrence's characters to experience change in their identities. Then it was awful indeed, when annihilation pressed in on him on every side. Her body was going meaningless, going dull and opaque, so much insignificant substance. We’ve got to live, no matter how many skies have fallen.”, “She was always waiting, it seemed to be her forte.”, “But that is how men are! This quote reflects a critique by Lawrence of modern language. You've got to be amused, properly healthily amused.
Why are these words - supposedly representative of the greater values of life -- now "dead" for his time period? But they've got to come. These ruins represent the Enlightenment and the promise of rationality and the intellect. Copyright © 1999 - 2020 GradeSaver LLC.
This shows her susceptibility to the idea of "respectability" (264). But they stood it. Welcome back.
Thus the condition of the times has created a "hollowing out" of the usual concepts by which we understand the world.
She wished some help would come from outside. But you’re right.
The Body Men and Masculinity Women and Femininity Sex Love Society and Class Isolation Wealth Freedom and Confinement Youth. Next The Body. she said.”, “Yes, I do believe in something. This causes a state of dread, or apprehension, which makes the blow ten times worse when it does fall.”, “His body was urgent against her, and she didn't have the heart anymore to fight...She saw his eyes, tense and brilliant, fierce, not loving. However, the very act of discussing the subject - even if he believes the idea - does not seem to help Tommy find his own lively nature. The early 20th century was characterized by the remnants of Victorian moralism, in which sex was considered a private act -- a bodily urge that one needed to be ashamed of, much like going to the toilet.
Accept your aloneness and stick to it, all your life.
That was how onself really was! That was how it was! She felt angry with him for not having got clear of a Bertha Coutts: nay, for ever having married her. She was her sensual self, naked an unashamed.
Her evaluation of him is about the way he ignores his intuitive feelings. Modernists were interested in redefining human relationships and values based on the model of aesthetic form and experimentation. Lady Chatterley’s Lover Quotes with Page Number. You've got to stick to it all your life. Lawrence understands sexuality as an inherent part of the self, where the 'self' is a complete being within the world. In the novel, Clifford puts forth the idea that evolution would truly take place when man had no more body; then man would realize his full potential as a rational being. She was her sensual self, naked and unashamed.
What is Clifford's idea about the significance or insignificance of sex? Shame, which is fear; the deep organic shame, the old, old physical fear which crouches in the bodily roots of us, and can only be chased away by the sensual fire, at last it was roused up and routed by the phallic hunt of the man, and she came to the very heart of the jungle of herself. Old through neglect and denial: yes, denial.
Man's natural connection to his feelings and his emotions seems to be the only resource left for Lawrence that would not be subjugated to this capitalist logic.